Reporting from Berlin, Savina Petkova and Debbie Zhou share their thoughts on Christian Petzold’s Competition entry, Undine by Savina Petkova & Debbie Zhou
on February 27, 2020 13:45
Writing to each other from the 70th Berlinale, Lili Hering and Sadia Khalid weigh in on some of the fest’s most singular entries By Lili Hering, Sadia Khalid
on February 27, 2020 13:33
The world of First Cow is one of enmeshed existences, where solidarity to the other, human or nonhuman, is the key virtue By Savina Petkova
on February 27, 2020 13:20
Jonas Heldt’s AUTOMOTIVE touches on the notion of desire fading away, yielding to functionality and utilitarianism br> By Rodrigo Garay
on February 27, 2020 13:17
In Melanie Waelde’s Nackte Tiere, a group of teens inhabits a world where adults are evanescent presences. by Lili Hering
on February 27, 2020 13:14
An affecting if somewhat safe family drama, Mogul Mowgli prods into the deeper, darker realms of a traditional father-son relationship By Debbie Zhou
on February 27, 2020 13:10
The Living and the Dead Ensemble’s Ouvertures advocates for a collective storytelling that transcends and transforms time and spaceby Savina Petkova
on February 25, 2020 17:14
by Lili Hering
on February 25, 2020 16:48
by Rodrigo Garay
on February 25, 2020 16:46
by Jakob Åsell
on February 25, 2020 16:43
Half way through the fest, Maja Korbecka and Jakob Åsell write to each other about some of the most intriguing films they’ve seen By Maja Korbecka and Jakob Åsell
on February 27, 2020 13:37
Corresponding from the 70th Berlinale, Adina Glickstein and Rodrigo Garay reflect on Eldridge Cleaver, Black Panther and Orphea By Adina Glickstein & Rodrigo Garay
on February 27, 2020 13:25
Steering away from racial stereotypes, First Cow conjures a witty and affecting portrait of an unlikely friendship By Sadia Khalid
on February 27, 2020 13:19
Jia Zhangke’s latest offers a deep dive into personal memories within the tissue of state-sanctioned fiction. By Maja Korbecka
on February 27, 2020 13:16
A kaleidoscopic collage of various video formats, Always Amber beats in synch with the restless hearts of its teenage protagonists. By Jakob Åsell
on February 27, 2020 13:12
Expansive beyond its 90-minute runtime, Song Fang’s The Calming highlights the rarity of drawn-out depictions of feminine anhedoniaby Adina Glickstein
on February 25, 2020 17:18
A haunting, multi-sensorial experience, Ouvertures questions the (f)utility of language to dissect history and colonial heritageby Adina Glickstein
on February 25, 2020 17:04
by Sadia Khalid
on February 25, 2020 16:47
by Debbie Zhou
on February 25, 2020 16:44
by Savina Petkova
on February 25, 2020 16:42
